Starman is an AFI thesis short film, shot on location over six days. The story is about Wyatt Star, a man struggling to live a normal life after his daredevil career, who sacrifices everything in an attempt at a record-setting motorcycle jump. The art department was seven people and the budget included custom printed graphics, picture vehicles, prop and set dressing rentals.
'Terp is an AFI Cycle Three short film, shot over three days - one day on location for exteriors and two days on a soundstage for the tent interiors. The script also called for a latrine to be built and aged to bring to the military camp location. The art department was five people and the budget included lumber, paint, the tent and other military rentals, and medical prop rentals.
Silence is an AFI Cycle Two short film, shot on location over three days. We rented a penthouse apartment and built an elevator on location to transform it into a floor of an apartment building. The art department was six people and the budget included construction materials, paint and set dressing and prop rentals.
Director: Nicolas Randall
Production Designer: Franco-Giacomo Carbone
Art Director: Haisu Wang
Set design, construction and scenic aging of a two-walled set replica of Lucid Stead, erected at Red Rock Canyon State Park. Windows were removed in post production.
The lounge of the Overlook Hotel in The Shining as if the film were set in Japan in the 1930s.
Iso is a 35mm MOS short film with direction and cinematography by Michael Street. Previs in Sketchup + Podium. Built set accommodated practical rain and front projection lighting.
Photo credit: Michael Street
Director: Chad Cooperman
Production Designer: Donald Lee Harris
Set design for a FOX promo including construction drawings (Vectorworks) and renderings (Sketchup + Podium).
Contemporary concept for 20,000 Leagues Under the Sea: the Nautilus submarine and the salon / sitting room.
Practical location at AFI art directed to look like a WWI-era military hospital in Great Britain.
Various mixed media sketches including hand sketching with graphite, ink, marker and Photoshop rendering.
A new concept for the first floor of the Whitaker's 1957 house as well as Frank Whitaker's office in Far From Heaven (2002).
Samples of hand drafting for set design.
A sample of individual and collaborative architectural projects, Sketchup modeling and drafting.
A sample of set design and architectural models of various media.
DVD covers, logos and other graphics. Illustrator and Photoshop.